John Field

1782 - 1837
John Field was an Irish pianist, composer, and teacher.

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👉 18 Nocturnes

👉 Pastorale in A major, H 14

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18 Nocturnes
John O'Conor, piano

Complete Piano Concertos Nos. 1 - 7
Paolo Restani, piano
Orchestre Philharmonique de Nice
Marco Guidarini, conductor

Piano Music by John Field

H 58 [⟨58A] Allegro, c, ded. M. Szymanowska,

H 34 [⟨34A] Andante, A♭,

H 64 Andante inédit, E♭, ?1836 (St Petersburg, 1852); N22

H 12 [⟨12A] Bärentanz, C (Langensalza, 1912)

H 27 [⟩27B] Concerto no.1, E♭, arr. pf solo (London, 1835)

H 31 [⟩31A] Concerto no.2, A♭, arr. pf solo,

H 32 [⟩32A] Concerto no.3, E♭, arr. pf solo,

H 28 [⟩28A] Concerto no.4, E♭, arr. pf solo, Mcm,

H 39 [⟩39B] Concerto no.5, C, arr. pf solo (London, 1832),

H 42A Six danses, G, A, A, F, E♭, E♭ (Leipzig, 1820)

H 33 Exercise modulé dans tous les tons, C (St Petersburg, 2/1814)

H 33 Exercise modulé dans tous les tons, C (Moscow, 1826) [? ⟩1814, or repr. of lost 1st edn]

H 44A Exercise nouveau, C (St Petersburg, 1821)

H 48A [⟨48] Nouvel exercise no.2, C (Leipzig, 1823)

H 48 [⟩48A] [Exercise] Terzübung, C, 1834

H 28 [⟩28 below] Exercise no.1, C (St Petersburg, 1838)

H 34 [⟩34A] Exercise no.2, pour la main gauche, A♭ (St Petersburg, 1838)

H 15 Fantaisie sur l’Andante de Martini, op.3, A (St Petersburg, 1811)

H 15 [⟩15A(a)] Fantaisie sur l’Andante de Martini, A (Moscow, 1837)

H 35 Nouvelle fantaisie sur le motif de la polonaise dans l’opéra Le calife de Bagdad, G (St Petersburg, 1815)

H 4B [⟩ Fantaisie

H 4A] Variations sur l’air russe, a (Moscow, 1840)

H 57A Nouvelle fantaisie, G (Berlin, 1833)

H 16A Marche triomphale, E♭ (St Petersburg, 1813)

H 24 [⟩24A(a)] Nocturne no.1, E♭ (St Petersburg, 1812); N1

H 24E(a) [⟩24] Nocturne no.1, E♭ (London, 1832); N1

H 25 [⟩25A(a)] Nocturne no.2, c (St Petersburg, 1812); N2

H 26 Nocturne no.3, A♭ (St Petersburg, 1812); N3

H 36 Nocturne no.4, A (St Petersburg, 1817); N4

H 37A [⟩37] Nocturne no.5, B♭ (St Petersburg, 1817); N5A

H 37 [⟩37A] Nocturne no.5, B♭ (Moscow, 1838)

H 40A Nocturne no.6, F (Moscow, 1817),

H 45A Nocturne no.7, C (St Petersburg, 1821); N7

H 46A [⟩46B] Nocturne no.8, e (St Petersburg, 1821)

H 46B [⟨46A] Nocturne no.8, e (Leipzig, 1822); N8B

H 46 [⟩46B] Nocturne no.8, e (Moscow, 1851); N8B

H 55 [⟨55A] Nocturne no.[9], C (Moscow, 1827); N9

H 55A [⟩55] Nocturne no.[9] ‘The Troubadour’, C (London, 1832); N9

H 63A [⟨63] Nocturne no.[10], B♭ (Moscow, 1829); N10A

H 63 [⟩63A] Nocturne no.10, B♭ (Moscow, 1829), rev. ?1836; N10B

H 56A Nocturne no.11, E♭ (Berlin, 1832); N11

H 58D(a) Nocturne no.12, G, 1822 (Paris, 1834)

H 59A Nocturne no.13, d (Paris, 1834); N13 [also pubd as Nocturne – Dernière pensée, H66A (Moscow, 1840)]

H 60A Nocturne no.14, C, 1835 (Paris, 1836)

H 61A Nocturne no.15, C (Paris, 1836); N15

H 62 [⟩62A] Nocturne no.16, F, ?1836

H 67 88 Passages doigtées par lui même [ H27, 28, 31, 32, 39, 48, 49, 58] (St Petersburg, 1838)

H 14 Pastorale, A, ?1809

H 14 Pastorale, A (St Petersburg, 1814); N17B

H 14 Pastorale, A, ?before 1831, Mcm; N17C

H 14H(a) Pastorale, A (London, 1831); N17D

H 65A [⟩54A] Pastorale d’après un manuscrit authentique, E (Moscow, 1851)

H 21 Polonaise en rondeau, E♭ (Moscow, 1809)

H 29 [⟩32] Polonaise en rondeau, E♭ (London, 1811)

H 30 [⟨30A] Romance, E♭ (St Petersburg, 1815); N19

H 30A [⟩30] Romance, E♭ (Leipzig, 1816); N19

H 14E [⟨14H(a)] Three romances, no.1, A (Leipzig, 1815); N17B

H 24A(a) [⟨24] Three romances, no.2, E♭ (Leipzig, 1815); N1

H 25A(a) [⟨25] Three romances, no.3, c (Leipzig, 1815); N2

H 2A Rondo on ‘the favorite Hornpipe danced by Mme. Del Caro’, A (London, ?before 1796)

H 3 Rondo on ‘Go to the Devil’, C (London, 1797)

H 5 Rondo on ‘Slave, bear the sparkling goblet round’, lost [?same as H6]

H 6A Rondo on ‘Two Favorite Slave Dances in Blackbeard’, G (London, 1798)

H 23 [⟨23 below] Rondo on ‘Speed the Plough’, B♭ (London, 1800)

H 23 [⟩23 above] Rondeau écossais, B (Moscow, 1809)

H 18 [⟨18A] Rondo, A♭, before 1811

H 32 [⟨29] Rondo, E♭, before 1811

H 39 [⟨39 below] Adagio and Rondo, C, before 1815

H 38 [⟩14A] Rondo, A (St Petersburg, 1817)

H 28F(a) [⟩28] Rondo no.1, E♭ (London, 1817)

H 18E(a) [⟩18A] Rondo no.2, A♭ (London, 1817)

H 49 [⟨49A] Rondo, C, before 1819

H 47 [⟩47A] Rondo on ‘The Maid of Valdarno’, B♭ (London, 1823) [?arr. G. Holst]

H 18 [⟩18A] Introduction and Rondo, A♭

H 53A, 53A(b) Introduction and Rondo on ‘Come again’, E (London, 1832), rev. ?1832 (London, 1859)

H 13K [⟩13A] Rondo ‘Twelve O’Clock’, E (London, 1832)

H 37 [⟨37A] Serenade, B♭, before 1817

H 28 Sicilienne, g (St Petersburg, 1819); N20

H 8A Three Sonatas, op.1, E♭, A, c (London, 1801)

H 17A Sonata [4], B (St Petersburg, 1813)

H 18 [⟨18A] Valse tiré d’un rondo, A♭ (St Petersburg, 1811)

Brilliant-Walzer, E♭, C (Leipzig, 1824)

H 51A(a) Sehnsuchts-Walzer, E (Leipzig, 1845)

H 51A(d) Sehnsuchts-Walzer, C (Magdeburg, 1863)

H 1A Variations on ‘Fa lal la’, A (London, 1795)

H 4 Variations on ‘Since then I’m doom’d’ [Je suis Lindor], C (London, ?before 1798)

H 7 [Variations] Rondo on ‘Logie of Buchan’, C (London, 1799)

H 22A(a) Variations on ‘Kamarinskaya’, B♭ (Moscow, 1809)

H 20A Air du bon Roi Henri IV varié, a (St Petersburg, 1814)

H 41A Chanson russe variée, d (St Petersburg and Moscow, 1817)

Piano Duo Music by John Field

H 10A Air russe varié, a (Moscow, 1808)

H 11A Andante, c (St Petersburg, 1811)

H 12A [⟩12] La danse des ours, E♭ (St Petersburg, 1811) [secondo part by W. Aumann]

H 19A Grande valse, A (St Petersburg, 1814)

H 43A [⟩31] Rondeau, G (Bonn and Cologne, 1819)